Tag Archives: Arts

Review: Stay Close by Harlan Coben

1 Jul

cover image

A quick-paced psychological thriller

Megan, a suburban soccer mom, has a secret wild past.  She’s got two kids, a perfect husband and a beautiful house, and a growing sense of dissatisfaction.  Ray was once a talented documentary photographer, now he’s a fake paparazzo taking snaps of spoilt rich kids.  Broome is a detective who just can’t seem to let go of a cold case – the disappearance of a local husband and father seventeen years ago.

Harlan Coben is an international bestselling thriller author.  I’ve read several of his books, and I have to admit I’m a bit of a fan.

This book had me from the first paragraph.  There’s something intimate, yet matter of fact about the way Harlan Coben writes.  This story, predominantly told from the perspectives of Megan, Ray and Broome, pulls you into their world, and takes you along for the ride as they try (in their different ways) to uncover the truth about a secret that’s been hidden for almost twenty years.

You can read the rest of my review over at the awesome Mean Streets Crime Fiction Review blog at: http://www.writersworkshop.co.uk/crimefiction/2012/07/stay-close-by-harlan-coben/

Structural Work: paragraphs in progress

21 Apr
Extensive scaffolding on a building in downtow...

Extensive scaffolding on a building in downtown Cincinnati, Ohio. (Photo credit: Wikipedia)

I’m reading J.L. Carrell’s ‘The Shakespeare Secret’ at the moment and am totally in awe.  Every paragraph is like a mini work of art.  They flow perfectly.  Each one has a specific (and eloquent) purpose.

So with this observation in mind, I had a flick through my WIP.

Oh dear.  I could see some major reconstruction was needed for certain paragraphs.

The problem?

Well, the thing is, a paragraph isn’t just a load of random sentences clipped together so they look neat.  It should be like a miniature story in its own right.  Logically ordered.  Making a point.

So having spotted the problem, I had to fix it … I rolled my sleeves up and got on with the job.

Here’s an example:  I changed this:

Patrick hesitated in the doorway of the Biological Science office.  The usually vacant atrium was crammed full with people.  It looked so unnatural, thought Patrick. Watching the semi-drunk scientists swaying out of time to the dance music reminded him of the Sci-Fi Fan Convention disco he’d visited as a teenager.  Only worse.

To this:

God, it’s hot, Patrick thought.  There had to be over a hundred people in here, most of them drunk. It reminded him of the Sci-Fi Convention discos he’d attended in his youth: the smell of alcohol, a sticky carpet underfoot, and the sight of adults swaying out-of-time with the music.   He turned to Leo.  ‘Maybe we should just-’

I think the second version gives a better sense of how Patrick feels and what he’s seeing – first through his physical response, then through his observation linked to memory, then to his attempt to persuade his friend that they go.  Better I think.

Of course, then I had to check the other 332 pages …

Seven go Literary in Oxford

18 Nov
Chapel Quad of Pembroke College, Oxford

Image via Wikipedia

I’ve never been a member of a writing group before.  Sure, I’ve contributed to online forums and attended writers events, but an actual writers group … no.

That is, until now.

After meeting at the wonderful York Festival of Writing in April (make a diary note, the 2012 Festival will be in September) a group of us bonded over dinner and wine (a lot of wine!) and a few months later the Nomad Novelists Writers Group (NNWG) was born.

At the end of October we held our first official meeting. And so, with nervous anticipation, we travelled to Oxford from our various far-flung corners of the UK, to discuss, critique and generally celebrate all that is creative writing.

A few weeks before the meet up we’d shared a few thousand words of our WIPs.  With a range of genres represented – thriller, romance, sci-fi, fantasy and young adult – there was plenty of variety and the chance to read both familiar and new types of stories.

There’s something rather scary about sharing your work in progress – or at least I think so.  On the one hand you want desperately for your fellow writers to love it, on the other you know it’s not ready yet and so they will see all the flaws and kinks you’ve yet to smooth out.  And so you wait, tension mounting, until it’s your turn to get your feedback.

And it’s so utterly worth it.

The critique, and group consensus, shows the bits that appeal and intrigue the reader, and also highlight what slows the pace or (especially in my case) becomes repetitive.  And just having the chance to discuss your work, your characters and the story you’re telling is so incredibly motivating.

And aside from the valuable insights on my own work, the brilliant fun of staying with friends at the University of Oxford and experiencing the beautiful city in autumn, the thing that stays with me is the astounding enthusiasm, creativity and talent of my fellow Nomads.

The act of writing might a lonely one.  But with a group of like-minded writers around you (in person or virtually) the journey as a writer need not be one of solitude.

 

 

Review: The Child Who by Simon Lelic

2 Nov

As regular readers of my blog already know, I moonlight over on the Mean Streets Crime Fiction Review blog – checking out thrillers and posting reviews. Last month I was lucky enough to have Simon Lelic’s forthcoming novel ‘The Child Who’ drop through my letterbox …

“A community is left reeling when twelve-year-old Daniel Blake is discovered to have brutally murdered his schoolmate Felicity Forbes.”

This is the first book I’ve read by author Simon Lelic.  It’s a legal thriller tackling the shocking subject of murder of a child by a child.  Usually this is not a subject matter I would pick to read about, but Lelic explores the personal and societal impact of this a horrific murder in a small community with such sensitivity that it’s hard to put the book down.  It’s a classy, compelling and thought-provoking thriller – utterly superb.

Read the whole review here: http://www.writersworkshop.co.uk/crimefiction/?p=472

Showing it All

17 Sep
Ed Sheeran

Image by Man Alive! via Flickr

One of the often quoted writers mantras is ‘show don’t tell’, yet in practice this can be one of the hardest things for a new writer to master.

Through the tutelage of my mentor, I’ve found great inspiration for the ‘show don’t tell’ way of thinking through looking at song lyrics, and there’s a song which I think illustrates the point perfectly:  The A Team by British folk soul artist Ed Sheeran.

Aside from being a hauntingly beautiful song, what I find so inspiring in Sheeran’s writing is that at no point does he ‘tell’ you the situation.  Instead, he focuses in on the specific things the person does and feels – leaving the interpretation to the listener.

And, of course, the images those lyrics paint for me could be very different to those they paint for you, and that’s fine.  The important thing is that in writing the lyrics this way, the artist gives the reader/listener a glimpse of a character.  But they don’t tell them how to feel about them.

This, for me, makes the character’s situation seem even more bleak and the song more strongly emotive.

An inspiration for the power of show.

 

Review: Before I Go To Sleep by SJ Watson

13 Sep

I’ve just finished reading SJ Watson’s debut novel Before I Go To Sleep, and I felt I just had to blog about it.

The mystery/thriller tells the story of Christine Lucas, a 47 year old woman who forgets her past, her identity and even her own name even time she goes to sleep.  Told partly in journal form, the reader joins Christine on her daily struggle to piece together the aspects of her life – knowledge that most people take for granted. And how, with the help of her daily journal, she begins to piece together the decades that she’s lost.

The writing is beautifully crafted; you feel like you know Christine (perhaps better than she does herself) and you feel her confusion, her frustration and the highs and lows of as she finds out about her life.

But there is much more to the novel than an interesting character study.  From the end of Part One Christine’s already scattered world is plunged into mistrust as she discovers the note she wrote to herself in her journal ‘Don’t Trust Ben’ (her husband).  From here on her quest takes on a new meaning, searching to uncover the reason behind her cryptic note, and the truth about her lost son and the mysterious accident which caused her condition.

As the tension mounted, I found myself trying to guess the end and, like Christine, didn’t know which characters to trust.  Brilliantly paced, artfully suspenseful, with a clever twist at the end, this story had me racing through the pages.  I devoured it in one weekend.

Highly recommended.

The End of Everything by Megan Abbott

15 Aug

I’ve just finished reviewing my second book for the fabulous crime fiction review site: Mean Streets.

The book I’ve reviewed is The End of Everything by Megan Abbott.  It’s a dark and intense story of sexual awakening and complex relationships.

To read my review, and find out more about this and many other crime fiction books, why not hop over to Mean Streets …

http://www.writersworkshop.co.uk/crimefiction/2011/08/the-end-of-everything-by-megan-abbott/

Summer Writing Routine: what works for you?

7 May
Assorted flowers in Park Seed Company Garden

Image via Wikipedia

Now that the sun’s shinning I’m finding it more difficult to find the time to write.  It’s not just the sun, to be fair.  It’s all the jobs that need sorting in the garden – the weeding, sowing the veg, and watering (lots and lots of watering).  It the winter it seemed easier.  I’d get up when it was still dark, sit at my desk and write until the sun came up.  Now, even though I’m awake by half past five, the sun is already rising.

Perhaps I need to adjust my writing rhythm.  Maybe I need a different writing routine for the summer months.  I’ll experiment over the next week or so and see if I can find a schedule that works.  Any suggestions?  What do you find works for your writing in the summer months?

Reflections from York FoW part 1: How many storylines can you fit in a Story?

4 Apr
Screenshot of intertitle from Life on Mars © A...

Image via Wikipedia

York Festival of Writing, organised by the fabulous Writers Workshop (www.writersworkshop.co.uk) has been and gone for another year.  It was an amazing weekend full of inspiring sessions and workshops and a tremendous buzz – the like of which you can only get when you put 300 or so authors, agents, publishers and writers-aspiring-to-publication in one place.

So now, a week later, I’m ready to put my reflections on the three wonderful days into words.  In this post I’m reflecting on the first workshop I attended, the Screenwriting Masterclass with Ashley Pharaoh, creator of Life on Mars, Ashes to Ashes, and other ground-breaking shows.

Firstly it was a fantastic session, delivered in a wonderfully down to earth way by someone who obviously has a huge amount of passion for his craft.

There were a few lightbulb moments for me in this session:

Conflict: if conflict is inherent in the story set-up it makes for tension from the start

Scene design: start as late and leave as early as you can from the scene – it cuts out the boring bits!

How many storylines can you fit in a story? As a novelist I feel pretty chuffed if I’ve got four running through the story.  But when we looked in detail at the first six minutes of an episode of Life on Mars, by the sixth minute we found there were seven, yes that’s right, SEVEN storylines in play.  Pretty cool stuff!

I left the session inspired to put into practice the things I’d learned in my own writing.

Screenwriting looks and sounds really interesting too.  Maybe I’ll have a go at that once I’ve finished my novel!

Climbing the Rocky Slope of Enlightenment: my writing journey

17 Mar

Whilst working away at the day job a colleague showed me a chart called the Gartner Hype Cycle.  It’s a chart that plots the experience of users as they learn new technologies, but I immediately saw parallels to my experiences as an aspiring author.

My journey as a writer started with the idea that I’d like to use my endlessly overactive imagination to write an actual story.  I’ve always thought up stories – as a child I made up stories about a dragon called Percy and a herd of talking horses, as a teen it was stories about boys (of course!) and then, once I started work, I let that side of myself drift.

Until two years ago.  I got the inspiration for a story and I decided to do something about it.  This was my ‘trigger’ moment.

So, having decided to embrace my inner storyteller, I enrolled on a Creative Writing course.  And it was wonderful, I’d found this amazing new thing, and I loved it.

And that was how things were for a while.  And as I discovered more about this writing lark, the more I wanted to write.  The curve of my journey accelerated upwards as I discovered the magical world of voice and genre and plot and point of view.  I lapped up every scrap of knowledge I could.  I practiced and practiced, and I sought feedback from fellow students and my tutor.

Eighteen months later my course had ended.  I’d got a Diploma in Creative Writing, a boxful of confidence and a truckload of ambition.  I had decided.  I wanted to become a published author [this was me reaching the Peak of Inflated Expectations].

Anyway, I’d got an idea for a novel, so I started trying to plot it out.  But my idea was too big for my apprentice level of story.  The plot seemed scattered and my characters to unruly and headstrong.  I became confused, unconfident in my ability, and disillusioned.  I’d hit the Trough of Disillusionment.  Hard.  And it hurt!

So, determined not to give up, I enlisted some help and got some expert advice from the fabulous Writers Workshop (www.writersworkshop.co.uk).  I discovered just how much I’d yet to learn.  But I was learning again.  And it was super fun.

So where am I now?

Well, I structured my storyline and developed my characters last summer, and now I’ve got my first draft in the bag and am working on a second draft.  And I’m learning as I go.  Every bit of feedback, every page that I revise, is part of my learning journey. And, step-by-step, I’m climbing up the rocky Slope of Enlightenment.

And I’ve decided.  Rather than despair at my novice-ness, I’m treating my experiences as my apprenticeship in writing.  Afterall, in any profession it takes many years to hone your craft.  Why should writing be any different?

Because learning takes time.

And I’m determined to enjoy every step of the journey. Because I bet that the view from the top is breathtaking.

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