Tag Archives: Festival of Writing

Cut the Waffle: polishing my pitch

19 Mar

 

Filming!

So the Festival of Writing at York is nearly here – Yippee!  This time next week I’ll be at the gala dinner, schmoozing with all the other writerly types.

 

But before I go, I still need to polish up my pitch for the agent sessions. And it’s nearly ready.

As I practiced in front of the mirror – making sure I could remember the words without too many pauses – I remembered a filming session I took part in last summer.  It was for a training film, and I had to deliver about ten lines to camera whilst walking along a pathway.

Sounds easy?  Was it heck! Believe me, as a total rookie at talking to camera (not to mention having the director, camera person and sound person watching me!) it was so much harder than the professionals make it look.

Firstly I had to remember words.  That was fine, until I had to say it to the camera.  At that point I either talked too fast or walked too slowly.  Or, just when I’d nearly got to the end of my lines, I’d forget a line.  So it would be straight back to the beginning to try again.  I think it took eleven takes in the end!

But the thing that I learnt from the whole experience – which was actually pretty exciting, even if rather nerve-racking – was that the script had to be ‘tight’.  The words had to be pared down to the minimum.  And that when we’d got the sentences polished down to the minimum, uncomplicated, straight-forward lines we could, then the piece had the maximum impact.

And so, as I’ve been polishing up my pitch, which is now only two sentences long, I remembered the three words that my colleague said in reflection of our whole filming experience:

Waffle is Bad!

Business Card Facelift: The ‘Tweetcard’

10 Mar

My business cards have arrived!

But there’s something rather different about them.  When considering my options for business cards to give out to the people I meet at the York Festival of Writing – organised by the fabulous Writers Workshop http://www.writersworkshop.co.uk/festivals/index.shtml – I discovered a new and exciting option – Tweetcards!

They’re like business cards, but funkier.  Instead of the usual stuff like name, address etc, these cards have your Twitter name, your blog and your email address on – all the stuff a modern writer needs to communicate.

I knew the moment I saw them that they were exactly what I needed.

So, I signed up immediately via GoodPrint’s – www.goodprint.co.uk – speedy online service and less than twenty quid and a few days later my Tweetcards arrived.

Not only do they look awesome, they’re cute, to the point, and colourful.  Absolutely perfect for all that networking I’ll be doing with other writers at York.

Epic Fail: Proof-reading

20 Feb
2008-01-26 (Editing a paper) - 31

Image by Nic's events via Flickr

Okay, so as I mentioned yesterday, I’m putting together my submission for the 1-2-1s at the Festival of Writing in York.

Along with the dreaded one-page introduction (think query letter) I’ll be sending in my first chapter.

Now I’ve only just started the second draft of my WIP, so the first chapter still needs quite a bit of polishing.  But having read through it, edited it, read through it again, and edited it (again), I thought it must be fairly error free, right?

Wrong.  Epic-fail wrong.

And the worst thing is I didn’t even spot it myself!

Thinking the first chapter was nearly ready, I asked my partner to read it.  I thought he’d probably find the odd comma in the wrong place, but nothing major.

The first sign of my error was my partner sniggering as he read.  [Please note: my WIP is not a comedy].  When I asked him the cause of his amusement he pointed to a piece of description of my main character.  A description of the character’s clothing to be precise.

And there it was.  Not a spelling mistake exactly, but something much worse.  I had described my character as wearing a “t-shit”.

A t-shit!

What was a potential agent going to make of that?  It sure wasn’t going to impress them.

But it’s okay.  I’ve corrected it.  And – fingers crossed – the first chapter is now error free.  The only thing is, what should I do about the other 80,000 words of my novel?

I’ve heard that reading out loud is good for spotting errors.  So, gin and tonic in hand, here I go …

 

 

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