Tag Archives: Lee Child

Inspiration: which authors do it for you?

20 May
my books

my books

I’ve always been a reader.  In fact, I can’t remember ever not reading.  As a child I loved anything with ponies in – Silver Snaffles by Primrose Cumming was a particular favourite – and anything with adventure.  I always had at least one Famous Five, Narnia or Secret Seven book on the go.

As I got into my teens, I became addicted to the Bond books (Ian Fleming) and Sherlock Holmes (Arthur Conan Doyle). Of course, whenever I could, I’d also sneak a peak at a Jilly Cooper or two – so wonderfully racy.  But the stories which have always fascinated me have been the ones that are quick-paced, complex, and difficult to solve/predict.

Now, as a writer, I’m inspired by authors who can sweep me up in their story, who keep me up at night (or have me day-dreaming in a day-job meeting) trying to fathom out ‘who done-it’ or, more intriguingly, ‘why done-it’.

And most of all, I’m inspired by those authors who have me thinking: damn, why the hell didn’t I think of that? Or marvelling at the fabulously web-like complexity of their plot.

So, who are these authors?

Well, there’s a range …

For seat-of-your-pants action and intrigue: Jeff Abbott, Lee Child, Dan Brown, Peter James, Michael Cordy, JL Carrell and Michael Crichton.

For beautiful prose and impactful themes: Daphne du Maurier, Rosamund Lupton, Jodie Picoult and Stephen Fry.

For unusual ideas and fascinating exploration: Michael Crichton, SJ Watson, Michael Cordy and Kyle Mills.

For the most amazingly strong POV voice: Jeff Lindsay

But if I had to pick one, the author whose books I can never put down, that get me thinking, and that I return to again and again – it’s Michael Crichton.

I’ve always found the way Crichton takes near-future science and weaves it into the plot of thrillers like Jurassic Park, Timeline, Prey and Next intriguing, interesting, and frankly rather scary.

In thrillers like A Case of Need and Disclosure, he takes the ‘normal’ worlds of Medical and Business and turns the worlds of the characters who inhabit them upside down in a highly believable way.

Then, in stories like A State of Fear he takes current science and shows what could happen if you take opposing sides of the global warming debate and have the characters take it to its farthest, and most dramatic, conclusion.

And that is, I think, why he is my greatest inspiration: whatever the initial idea, the themes of the story, or the unusual setting, he always takes the situation from normal day-to-day all the way to ‘what’s the worst that could happen?’

And it always hooks me, and gets me thinking.

Who inspires you?

This post has been Guest Blogged over at the fabulous Nomad Novelists Writers Group blog

Super-fantastic Opening Pages

25 Feb
Stack of books in Gould's Book Arcade, Newtown...

Image via Wikipedia

Most  books on writing a novel  tell you that one of the most important things is to have a Super-Fantastic opening page;  a page that hooks you an agent, a publisher, and later lots of wonderful readers.

In his fabulous book, Getting Published, Harry Bingham says that the open pages are key, and that you must, “grab the reader hard and early”.

And some other ‘how to’ books go even further and say that if you can’t hook the reader in with your first paragraph then you’re utterly done for.

But how exactly can a writer hook a reader in so fast?

Well luckily, it seems there’s plenty of other writers who’ve pondered this question long and hard.  So I’ve had a dig about, and these are some of the tips I’ve found most useful as I edit my first chapter:

 

  • Start in the Point of View of my main character (I’m writing in three pov’s).
  • Make sure that there’s some tension/conflict in the scene
  • Establish the setting quickly (but don’t dwell too long on description)
  • Use dialogue to portray character
  • Don’t get carried away with long, complicated sentences
  • Edit to remove all clichés (or even hints of clichés)
  • End the chapter with a hook that compels the reader to go on to Chapter 2
  • Proof read many times to remove all spelling errors.  I mean it, not even one!

 

It’s not a perfect list by any means, and I’m just a rookie at this myself, but I’ve found this a useful checklist when assessing my first (and subsequent) chapter/s.

They seem fairly universal points to me, but I’m sure genres vary so it’s also worth checking out the opening pages of books in the genre you’re writing in to see what works.

Writers’ work that I’ve looked at include: Jeff Abbott, Lee Child, Michael Crichton, Erica Spindler, Allison Brennan, and Audrey Niffenegger.

If you’re writing commercial fiction, a good place to start has to be those books on the best seller lists this year – after all, those authors must be getting something right!

 

 

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