Tag Archives: thriller

Inspiration: which authors do it for you?

20 May
my books

my books

I’ve always been a reader.  In fact, I can’t remember ever not reading.  As a child I loved anything with ponies in – Silver Snaffles by Primrose Cumming was a particular favourite – and anything with adventure.  I always had at least one Famous Five, Narnia or Secret Seven book on the go.

As I got into my teens, I became addicted to the Bond books (Ian Fleming) and Sherlock Holmes (Arthur Conan Doyle). Of course, whenever I could, I’d also sneak a peak at a Jilly Cooper or two – so wonderfully racy.  But the stories which have always fascinated me have been the ones that are quick-paced, complex, and difficult to solve/predict.

Now, as a writer, I’m inspired by authors who can sweep me up in their story, who keep me up at night (or have me day-dreaming in a day-job meeting) trying to fathom out ‘who done-it’ or, more intriguingly, ‘why done-it’.

And most of all, I’m inspired by those authors who have me thinking: damn, why the hell didn’t I think of that? Or marvelling at the fabulously web-like complexity of their plot.

So, who are these authors?

Well, there’s a range …

For seat-of-your-pants action and intrigue: Jeff Abbott, Lee Child, Dan Brown, Peter James, Michael Cordy, JL Carrell and Michael Crichton.

For beautiful prose and impactful themes: Daphne du Maurier, Rosamund Lupton, Jodie Picoult and Stephen Fry.

For unusual ideas and fascinating exploration: Michael Crichton, SJ Watson, Michael Cordy and Kyle Mills.

For the most amazingly strong POV voice: Jeff Lindsay

But if I had to pick one, the author whose books I can never put down, that get me thinking, and that I return to again and again – it’s Michael Crichton.

I’ve always found the way Crichton takes near-future science and weaves it into the plot of thrillers like Jurassic Park, Timeline, Prey and Next intriguing, interesting, and frankly rather scary.

In thrillers like A Case of Need and Disclosure, he takes the ‘normal’ worlds of Medical and Business and turns the worlds of the characters who inhabit them upside down in a highly believable way.

Then, in stories like A State of Fear he takes current science and shows what could happen if you take opposing sides of the global warming debate and have the characters take it to its farthest, and most dramatic, conclusion.

And that is, I think, why he is my greatest inspiration: whatever the initial idea, the themes of the story, or the unusual setting, he always takes the situation from normal day-to-day all the way to ‘what’s the worst that could happen?’

And it always hooks me, and gets me thinking.

Who inspires you?

This post has been Guest Blogged over at the fabulous Nomad Novelists Writers Group blog

De-wooding my Dialogue

15 Apr
Aspen trees near Aspen, Colorado

Aspen trees near Aspen, Colorado (Photo credit: Wikipedia)

So here’s the thing.

My plot’s sorted, the pacing seems about right, and the characters all seem fairly ‘real’.  But what about the dialogue?

Well, it’s okay … but.  I’ve recently shared a few scenes with some fellow writers and the combination of reading them out loud, and getting feedback from others, has made me realise I’ve been seeing my dialogue through rose-tinted glasses.

Because now, when I go back and re-read bits of it, I can see there is a woodish air to it. Like it’s standing up straight with its shoulders back, and trying just that little bit too much.

What it needs, I thought, is a quick shot of tequila, or to be told a dirty joke.  Anything to loosen it up a bit!

So in the fourth draft I’ve dusted off my wood-o-metre (used so easily when critiquing the work of others!) and applied it to my own.  And I think it’s working.  There are some of the changes I’ve made:

“It was totally impractical.”

Has become … “It’d never work out.”

“Maybe.  But, given your situation, there’s no time for caution.  If you’re going to go for it, it has to be now.” [I’m desperate to add ‘old chap’ on the end of that one!].

Has been shortened to … “Maybe, but you’re out of time.  Just go for it.”

And (my personal favorite) “It doesn’t feel right.”

Is now … “It’s shit.”

So, what have I learnt?

Well, firstly, real people don’t talk like they’re on a public service broadcast from the fifties (at least not in the setting of my novel).  And, secondly, always read your dialogue out loud, preferably in front of people.  It makes you more conscious of what works and what doesn’t – and is great practice for (hopefully, fingers crossed) those author reading you’ll do in the future.

Mean Streets, the new crime review site on the block

17 Jul

Last week I ticked another first off my writerly list: to write (and have published) a book review.

It’s up on the fabulous new crime review site “Mean Streets”, the home of Crime Fiction.  The site’s a wonderful idea – the aim, to review all the new crime, thriller and suspense novels coming out.  If you like thrillers, I recommend you check it out.  And if you don’t, well, why not saunter over a give it a look anyway!

For my first review I had the pleasure of reading Ali Knight’s debut novel Wink Murder.  You can read my review here http://www.writersworkshop.co.uk/crimefiction/2011/07/wink-murder-by-ali-knight/ 

Enjoy!

My quest for the ultimate Romantic Thriller

3 Sep

So what’s a romantic thriller you might ask?  Good question, me too!  And one I’m questing to find an answer too.

As an avid reader of fiction and watcher of movies I find my tastes an eclectic bunch – wholly resistant to being slotted into any one pre-determined genre box.

Sure, I like a good romantic comedy, but there’s a whole other side of me that adores the bafflement of a mystery, the twists of a thriller, the anticipation of the erotic and the pure adrenalin of action.  So couldn’t these elements all be combined into a single work?

I’m sure they can, and have been before, resulting in some epics and (no doubt) some epic fails.  So, what I’d like to discover, is what, precisely, makes such a fusion of genres successful.

And, although it’s an interesting quest in itself, I must also admit a sneaky ulterior motive:

I am, I confess, an aspiring author.

My ambition?  To create a romantic thriller with all the intrigue, action, intimacy and emotion that would keep even the toughest critic hooked into turning the pages unwaveringly oblivious to the world around them.

That is my quest.

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