Tag Archives: Writers Resources

Just add Ninjas

24 Jan
Spout as the result of a water drop and surfac...

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A while back, me and a few online writing buddies were chatting on The Word Cloud (free writers online forum at xxx) about how to increase tension in a scene and make it more dramatic.

A can’t remember the majority of our ideas, but one guys suggestion continues to stick in my mind:  If you’ve got a boring scene, he said, just add some ninjas!

We laughed (LOL-ed).  Then asked, okay, but seriously, how?

Well, recently I stumbled across the fabulous TerribleMinds.com blog.  Entertaining and enlightening (with a good splattering of colourful language) this site is a fantastic writers resource.  One posts in particular leapt out at me:

http://terribleminds.com/ramble/2011/11/08/25-things-you=should-know-about-suspense-and-tension/

That’s right – 25 ways to increase suspense and tension in your story.  I recognise a whole bunch of these in my current WIP, but the ones that leap out are Number 5 (Bear under the Table), Number 9 (Save the Date) and Number 14 (Personal Suspense above Global Suspense).

When I’m thinking about adding friction in a scene I often return to this blog for a quick mind-jolt.

And there’s not a ninja in sight!

 

Sunday Shout-out: To stressed-out writers

13 Nov
Stress

Image via Wikipedia

To stressed-out writers.

For all those other stressed-out writers out there, Roisin Anna Murphy captures the love-hate transition between being writer blissfully setting out on the journey of first draft discovery, through their transformation into their better informed but highly self-critical alter-ego as they work their way through ‘yet another’ edit.

Still, couldn’t live without it ;-)

Showing it All

17 Sep
Ed Sheeran

Image by Man Alive! via Flickr

One of the often quoted writers mantras is ‘show don’t tell’, yet in practice this can be one of the hardest things for a new writer to master.

Through the tutelage of my mentor, I’ve found great inspiration for the ‘show don’t tell’ way of thinking through looking at song lyrics, and there’s a song which I think illustrates the point perfectly:  The A Team by British folk soul artist Ed Sheeran.

Aside from being a hauntingly beautiful song, what I find so inspiring in Sheeran’s writing is that at no point does he ‘tell’ you the situation.  Instead, he focuses in on the specific things the person does and feels – leaving the interpretation to the listener.

And, of course, the images those lyrics paint for me could be very different to those they paint for you, and that’s fine.  The important thing is that in writing the lyrics this way, the artist gives the reader/listener a glimpse of a character.  But they don’t tell them how to feel about them.

This, for me, makes the character’s situation seem even more bleak and the song more strongly emotive.

An inspiration for the power of show.

 

Summer Writing Routine: what works for you?

7 May
Assorted flowers in Park Seed Company Garden

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Now that the sun’s shinning I’m finding it more difficult to find the time to write.  It’s not just the sun, to be fair.  It’s all the jobs that need sorting in the garden – the weeding, sowing the veg, and watering (lots and lots of watering).  It the winter it seemed easier.  I’d get up when it was still dark, sit at my desk and write until the sun came up.  Now, even though I’m awake by half past five, the sun is already rising.

Perhaps I need to adjust my writing rhythm.  Maybe I need a different writing routine for the summer months.  I’ll experiment over the next week or so and see if I can find a schedule that works.  Any suggestions?  What do you find works for your writing in the summer months?

The Ideas Sanctuary

11 Apr
Moleskine notebook and diaries.

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Where do story ideas live?

Well, in my head, obviously.  But also, more importantly, in my notebook.

I love my notebook.  I’ve gone through loads since I started writing, and my current one is a large, red Moleskine with plain pages (I can’t work with lined pages, don’t know why – just can’t!).

It’s an essential piece of my writing kit. In fact, if I accidentally leave it behind I get rather tense.  Being parted induces awful separation anxiety.

But why?  you ask.

Simple.  It’s because I know that if I can’t capture the glimpse of a story, a character, that fleeting line of dialogue or the twinkle of a story that just happens to point into my mind at the most unexpected time, it will be forgotten.  It could have been the most wonderful idea, the nugget that will spark my greatest story yet, but if the phone rings, or I go to the meeting, or finish my drive to work first, it’ll be gone.

So I carry my trusty notebook with me – always.  Yes, really.  Even in the gym, at the stables, and on my desk at work.   That way, when the muse appears, I’m always ready.

My notebook is my idea sanctuary.  Once in there, they recline, relaxing with a cocktail until the next moment of inspiration takes hold and I discover a little more about that story.  It could be about my WIP, about my next story, or ideas for the one after.  But my notebook ensures no idea is forgotten.  It’s the perfect writers’ companion!

Do you have a notebook? If not, I’d certainly recommend it.

And if you do, what’s yours like?

 

 

Reflections from York FoW part 1: How many storylines can you fit in a Story?

4 Apr
Screenshot of intertitle from Life on Mars © A...

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York Festival of Writing, organised by the fabulous Writers Workshop (www.writersworkshop.co.uk) has been and gone for another year.  It was an amazing weekend full of inspiring sessions and workshops and a tremendous buzz – the like of which you can only get when you put 300 or so authors, agents, publishers and writers-aspiring-to-publication in one place.

So now, a week later, I’m ready to put my reflections on the three wonderful days into words.  In this post I’m reflecting on the first workshop I attended, the Screenwriting Masterclass with Ashley Pharaoh, creator of Life on Mars, Ashes to Ashes, and other ground-breaking shows.

Firstly it was a fantastic session, delivered in a wonderfully down to earth way by someone who obviously has a huge amount of passion for his craft.

There were a few lightbulb moments for me in this session:

Conflict: if conflict is inherent in the story set-up it makes for tension from the start

Scene design: start as late and leave as early as you can from the scene – it cuts out the boring bits!

How many storylines can you fit in a story? As a novelist I feel pretty chuffed if I’ve got four running through the story.  But when we looked in detail at the first six minutes of an episode of Life on Mars, by the sixth minute we found there were seven, yes that’s right, SEVEN storylines in play.  Pretty cool stuff!

I left the session inspired to put into practice the things I’d learned in my own writing.

Screenwriting looks and sounds really interesting too.  Maybe I’ll have a go at that once I’ve finished my novel!

Climbing the Rocky Slope of Enlightenment: my writing journey

17 Mar

Whilst working away at the day job a colleague showed me a chart called the Gartner Hype Cycle.  It’s a chart that plots the experience of users as they learn new technologies, but I immediately saw parallels to my experiences as an aspiring author.

My journey as a writer started with the idea that I’d like to use my endlessly overactive imagination to write an actual story.  I’ve always thought up stories – as a child I made up stories about a dragon called Percy and a herd of talking horses, as a teen it was stories about boys (of course!) and then, once I started work, I let that side of myself drift.

Until two years ago.  I got the inspiration for a story and I decided to do something about it.  This was my ‘trigger’ moment.

So, having decided to embrace my inner storyteller, I enrolled on a Creative Writing course.  And it was wonderful, I’d found this amazing new thing, and I loved it.

And that was how things were for a while.  And as I discovered more about this writing lark, the more I wanted to write.  The curve of my journey accelerated upwards as I discovered the magical world of voice and genre and plot and point of view.  I lapped up every scrap of knowledge I could.  I practiced and practiced, and I sought feedback from fellow students and my tutor.

Eighteen months later my course had ended.  I’d got a Diploma in Creative Writing, a boxful of confidence and a truckload of ambition.  I had decided.  I wanted to become a published author [this was me reaching the Peak of Inflated Expectations].

Anyway, I’d got an idea for a novel, so I started trying to plot it out.  But my idea was too big for my apprentice level of story.  The plot seemed scattered and my characters to unruly and headstrong.  I became confused, unconfident in my ability, and disillusioned.  I’d hit the Trough of Disillusionment.  Hard.  And it hurt!

So, determined not to give up, I enlisted some help and got some expert advice from the fabulous Writers Workshop (www.writersworkshop.co.uk).  I discovered just how much I’d yet to learn.  But I was learning again.  And it was super fun.

So where am I now?

Well, I structured my storyline and developed my characters last summer, and now I’ve got my first draft in the bag and am working on a second draft.  And I’m learning as I go.  Every bit of feedback, every page that I revise, is part of my learning journey. And, step-by-step, I’m climbing up the rocky Slope of Enlightenment.

And I’ve decided.  Rather than despair at my novice-ness, I’m treating my experiences as my apprenticeship in writing.  Afterall, in any profession it takes many years to hone your craft.  Why should writing be any different?

Because learning takes time.

And I’m determined to enjoy every step of the journey. Because I bet that the view from the top is breathtaking.

Preparing an Oscar-worthy Pitch

26 Feb
The red carpet at the intersection of Hollywoo...

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So I’ve sent off my submission – information letter and first chapter – to the Festival of Writing, but instead of feeling relieved I’ve got a little knot of anxiety forming in my stomach.

Why, you ask.

Well it’s because my mind has turned to the next phase of preparation for the festival – preparing for the 1-2-1 meetings.  I’ve got two ten-minute slots scheduled; one with a book doctor and one with an agent.

So, the question is, how to present my book (and myself) most effectively in the short time I have with them.  Basically, how best to make my ‘pitch’.

The first thing that people seem to talk about when you’re preparing to get in front of an agent is giving an elevator pitch.  But what exactly is an elevator pitch?

I checked out plentiful resources over at The Script Lab website (www.thescriptlab.com).  They recommend a 20-25 word ‘logline’ that gives a concise description of your story in a memorable way.  No pressure then!

On the www.fictionwriting.about.com website they recommend distilling the essence of your story down into no more than three sentences, and making it engaging and professional.

www.wow-womenonwriting.com take the condensing even further and recommend that you’re able to pitch your story in a single sentence.  That way you can flex the pitch longer if you have more time, without having to try and recite every single twist and turn in the story.

And then www.gointothestory.com take the elevator pitch idea and update it to a ‘Twitpitch’ – the art of pitching your story in 120 characters or less!

So, what have I learned from this?

  • Well, I’ve decided that I’m going to prepare an elevator pitch that is a one or two sentence synopsis of my story.
  • In order to keep it that short, I’m going to have to edit out any non-essential waffle (which could prove a challenge!).
  • I’m going to may sure my pitch is engaging and includes a hook – I’m planning of seeking feedback on how successful my attempts are at this from my partner and the wonderful Clouders on the online writing forum www.writing-community.writersworkshop.co.uk
  • Then I’m going to practice, practice, practice!

And, hopefully, by preparing for my pitch in this way, I’ll be able to give an Oscar-worthy performance.

(But, if I freeze when it actually comes to giving the pitch, perhaps I could try out some of the techniques used in the fabulous Oscar-nominated film The Kings Speech!)

Super-fantastic Opening Pages

25 Feb
Stack of books in Gould's Book Arcade, Newtown...

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Most  books on writing a novel  tell you that one of the most important things is to have a Super-Fantastic opening page;  a page that hooks you an agent, a publisher, and later lots of wonderful readers.

In his fabulous book, Getting Published, Harry Bingham says that the open pages are key, and that you must, “grab the reader hard and early”.

And some other ‘how to’ books go even further and say that if you can’t hook the reader in with your first paragraph then you’re utterly done for.

But how exactly can a writer hook a reader in so fast?

Well luckily, it seems there’s plenty of other writers who’ve pondered this question long and hard.  So I’ve had a dig about, and these are some of the tips I’ve found most useful as I edit my first chapter:

 

  • Start in the Point of View of my main character (I’m writing in three pov’s).
  • Make sure that there’s some tension/conflict in the scene
  • Establish the setting quickly (but don’t dwell too long on description)
  • Use dialogue to portray character
  • Don’t get carried away with long, complicated sentences
  • Edit to remove all clichés (or even hints of clichés)
  • End the chapter with a hook that compels the reader to go on to Chapter 2
  • Proof read many times to remove all spelling errors.  I mean it, not even one!

 

It’s not a perfect list by any means, and I’m just a rookie at this myself, but I’ve found this a useful checklist when assessing my first (and subsequent) chapter/s.

They seem fairly universal points to me, but I’m sure genres vary so it’s also worth checking out the opening pages of books in the genre you’re writing in to see what works.

Writers’ work that I’ve looked at include: Jeff Abbott, Lee Child, Michael Crichton, Erica Spindler, Allison Brennan, and Audrey Niffenegger.

If you’re writing commercial fiction, a good place to start has to be those books on the best seller lists this year – after all, those authors must be getting something right!

 

 

Bikini-toned sentences in the WordGym

21 Feb
William Fox School, new gym teacher

Image by The Library of Virginia via Flickr

No pain, no gain: that saying applies to writers’ feedback right?

Because, just as working out in the gym can be tough, so is getting feedback on my first draft and editing it into a better second draft.

I’ve no doubt at all that the feedback is right.  I read it and I totally agree.  It’s just that I love my story, and I feel this massive need to protect it!

I guess it’s because the story is something I’ve spent so many hours writing (and even more thinking about) that getting feedback can be hard.  I’m also less motivated to edit.  I find the whole process of editing rather dull compared to the high energy, creative excitement of writing my first draft.  A bit like doing abdominal crunches compared to a spinning class at the gym.

But I know I’ve got to get over it!

Afterall, I want to be a published author.  And that’s a tough goal to achieve. So, to give myself the biggest chance of success I need to develop my writing, and my WIP, to be the best it can possibly be.

So, instead of feeling like my story is being picked on in the schoolyard, I’m learning to think of feedback like having personal training in the gym.  Something that pushes me that bit further, challenging the clichéd, toning up the flabby sentences, and pushing me past ‘good enough’ towards a ‘personal best’.

That way, by the time I come to my final draft, I’ll have a sexy bikini-toned story that will (hopefully) catch an agent’s eye.

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